the body as a fever dream addresses the moments in which our understanding of and presence in our own bodies is fluctuating, moments in which we feel we do not wholly exist, moments where our physicality may encounter a limbo state between presence and absence. Eija Loponen-Stephenson, Séamus Gallagher, Sheri Osden Nault, and B. Wijshijer present works that play with the contradictions and duality of a bodily presence/absence. A digital dance performance by Lauren Runions and Camille Rojas acts as companion to the artworks, posing questions around how the body takes form in gallery settings and how meaning is made in the absence of performing bodies.
Gallery visits are by appointment only, as we are prioritizing the health + safety of visitors and staff at Xpace.
Quartet with “Net Interface” and “Mimic, Lake Ontario”
Performed by Camille Rojas and Lauren Runions
Edited by Camille Rojas
Curated by Dallas Fellini
As a part of the exhibition “the body as a fever dream,” Camille Rojas and Lauren Runions enact an improvisational dance performance, inhabiting the gallery space and participating with works “Net Interface” by Eija Loponen-Stephenson and “Mimic, Lake Ontario” by Sheri Osden Nault. With no one present to bear witness to their performance, their actions are instead memorialized through the traces their bodies leave in the space.
…
Consume this performance from your work-from-home laptop, surfing between tabs for online shopping, public health stats, tabs for grant applications and mutual aid.
Consume this performance distractedly as it is the only way we can engage anything right now.
Consume this performance while committing time theft.
Consume this performance in the middle of the night.
Consume this performance on a statutory holiday.
Consume this performance while thinking of a lover, watch arms pour into gloves and hands cleave to body parts in a way that feels foreign. Memorialize bodily closeness.
the body as a fever dream, 2020. Installation view. Work by Séamus Gallagher, Eija Loponen-Stephenson, Sheri Osden Nault in view. Photo credit: Roya DelSol
the body as a fever dream, 2020. Installation view. Photo credit: Roya DelSol
the body as a fever dream, 2020. Installation view. Work by Eija Loponen-Stephenson, Sheri Osden Nault in view. Photo credit: Roya DelSol
Sheri Osden Nault, Mimic, Lake Ontario. Ongoing work consisting of multiple pieces.
Plaster. 2018 to present. Photo credit: Roya DelSol
the body as a fever dream, 2020. Installation view. Work by Eija Loponen-Stephenson and Sheri Osden Nault in view. Photo credit: Roya DelSol
Eija Loponen-Stephenson, Net Interface (performance documentation, images by Mike
Gontmakher). Wheatpasted prints. 2019. Photo Credit: Roya DelSol
B Wijshijer, How to Edit Your Selfies. Video. 2019. Photo credit: Roya DelSol
Sheri Osden Nault, Sovereign Bodies 01. Found wood, human hair, epoxy, nylon rope.
2018. Photo Credit: Roya DelSol
Sheri Osden Nault, Sovereign Bodies 01. Found wood, human hair, epoxy, nylon rope.
2018. Photo Credit: Roya DelSol
Séamus Gallagher, THINKING OF YOU THINKING OF ME. Video. 2019. Photo credit: Roya DelSol
Left:Séamus Gallagher, THINKING OF YOU THINKING OF ME. Video. 2019. Right: Eija Loponen-Stephenson, Net Interface (performance documentation, images by Mike
Gontmakher). Wheatpasted prints. 2019. Photo Credit: Roya DelSol
Sheri Osden Nault, Mimic, Lake Ontario. Ongoing work consisting of multiple pieces.
Plaster. 2018 to present. Photo credit: Roya DelSol
Eija Loponen-Stephenson, Net Interface (performance documentation, images by Mike
Gontmakher). Wheatpasted prints. 2019. Photo Credit: Roya DelSol
Eija Loponen-Stephenson, Net Interface (performance documentation, images by Mike
Gontmakher). Wheatpasted prints. 2019. Photo Credit: Roya DelSol
Sheri Osden Nault, Mimic, Lake Ontario. Ongoing work consisting of multiple pieces.
Plaster. 2018 to present. Photo credit: Roya DelSol
Left: Sheri Osden Nault, Mimic, Lake Ontario. Ongoing work consisting of multiple pieces.
Plaster. 2018 to present. Right: Eija Loponen-Stephenson, Net Interface (performance documentation, images by Mike
Gontmakher). Wheatpasted prints. 2019. Photo Credit: Roya DelSol
Sheri Osden Nault, Mimic, Lake Ontario. Ongoing work consisting of multiple pieces.
Plaster. 2018 to present. Photo credit: Roya DelSol
the body as a fever dream, 2020. Installation view. Work by Eija Loponen-Stephenson, Sheri Osden Nault in view. Photo credit: Roya DelSol
Quartet with “Net Interface” and “Mimic, Lake Ontario”, Performed by Camille Rojas and Lauren Runions. Work by Sheri Osden Nault and Eija Lopponen-Stephenson. Photo credit: Philip Leonard Ocampo
Quartet with “Net Interface” and “Mimic, Lake Ontario”, Performed by Camille Rojas and Lauren Runions. Work by Sheri Osden Nault and Eija Lopponen-Stephenson. Photo credit: Philip Leonard Ocampo
Quartet with “Net Interface” and “Mimic, Lake Ontario”, Performed by Camille Rojas and Lauren Runions. Work by Sheri Osden Nault and Eija Lopponen-Stephenson. Photo credit: Philip Leonard Ocampo
Quartet with “Net Interface” and “Mimic, Lake Ontario”, Performed by Camille Rojas and Lauren Runions. Work by Sheri Osden Nault and Eija Lopponen-Stephenson. Photo credit: Philip Leonard Ocampo
Quartet with “Net Interface” and “Mimic, Lake Ontario”, Performed by Camille Rojas and Lauren Runions. Work by Sheri Osden Nault and Eija Lopponen-Stephenson. Photo credit: Philip Leonard Ocampo
Left: Eija Loponen-Stephenson, Net Interface (performance documentation, images by Mike
Gontmakher). Wheatpasted prints. 2019. Photo Credit: Roya DelSol